A full-body depiction of a woman in a kimono, facing left. The kimono's dominant colors are orange and blue, with intricate designs including floral patterns and geometric shapes. The woman's hair is styled in an updo with a decorative piece on top. Her left leg is slightly bent, and she wears geta-style high heels. The background is a light brown color with darker brown spots and Japanese writing throughout.
Artwork Details
- Date
- 1758
- Medium
- Woodblock print; ink and color on paper
- Culture
- Japan
- Dimensions
- 270 × 624 px
- Public Domain
- Yes
- Museum Record
- View original
You May Also Like
The Second Segawa Kikunojo in the Role of Tegoshi no Shosho
Kabuki Actor Nakamura Tomijūrō I in a Female Dance Role
Segawa Kikunojō II as a Woman Standing
Sanogawa Ichimatsu in the Role of Otsuru
A Famous Actor of Women's Roles
The Second Yamashita Kinsaku (1733–1790)
The Third Segawa Kikunojo as a Woman Standing in a Room Having a Wave-pattern Dado
Ono no Komachi: Number Two (Sono ni), from the series Stylish Parodies of the Six Poetic Immortals (Fūryū yatsushi rokkasen)
“The Geisha To’e as a Vendor of Poems,” from the series Gion Festival Costume Parade (Gion mikoshi arai nerimono sugata)
An Actor's Image in a Sake Cup
Young Lady with Parasol in the Yoshiwara District
Bandō Hikosaburō II Dressed as a Komuso and Carrying the Flute and Hat
Pictures of Ten Styles (Jittaiga Fuzoku): A Young Woman with a Dog
The Third Ichikawa Yaozō as a Daimyo Standing Under a Maple Tree
Iwai Hanshiro IV
A Courtesan on Parade, Dressed in Many Robes
Anekawa Daisuke as Ayame-no-mae
The Fourth Iwai Hanshiro as a Woman
A Boy Singer
The Actor Tohimura Kamezo as a Warrior
The Courtesan Hanaōgi of the Ōgiya Brothel in Yoshiwara (Ōgiya uchi Hanaōgi, Yoshino, Tatsuta)
Takigawa of the Ōgiya Brothel: The First Reception Room Appointment of the New Year (Hatsu-uri zashiki no zu: Ōgiya Takigawa), from the series A Comparison of Selected Beauties of the Pleasure Quarters (Seirō bisen awase)
The First Nakamura Tomijuro as a Woman
Actor Sawamura Kodenji as a Woman at the Time of the Tanabata Festival
