Allegory of Love

Workshop of Titian

National Gallery of Art

Shown from the hips up, a nude woman stands between a table in front of her and a clothed man behind her, against a deep landscape in this vertical painting. The man rests one hand on her shoulder and holds up a mirror with the other. The woman’s pale skin has a pronounced golden glow. Her body faces us and she looks to our left, holding her waist-length, curly, strawberry-blond hair with her right hand by her face. Her hair on the other side is tied back with a sage-green band behind her ear. She wears a sheer white sash wrapped around her back and upper arms. A muted rose-pink, velvet sash loops over her left forearm, to our left. That hand rests on a round, squat glass bottle that sits on a leaf-green table, with her index finger covering the opening of the bottle. She wears a gold ring with a small dark stone on her left ring finger, and another gold ring rests on the table. The back corner of the table covers her genitals in the lower right corner of the painting. Behind her and to our left, a man with an olive-toned complexion and short curly brown hair, moustache, and long beard looks down his long nose at the woman as he rests his left hand, to our right, on her shoulder. He has dark eyebrows, flushed cheeks, and his pink lips are closed. He wears a cranberry-red coat embroidered along the edges with gold. White ruffles encircle his neck and the cuff we can see. Almost lost in shadow, the hilt of his sword peeks around his hip. With his right hand, to our left, he holds up a dark rectangular object in a wood-colored frame. The reflections of his fingertips in the glass indicate that this is a mirror, but the surface is otherwise black. A dense, forest-green tree grows in the landscape behind the woman. The view over the man’s shoulder, to our left, has sea-green hills beneath a watery blue sky with cream-white clouds.