The Holy Family

Agnolo Bronzino

National Gallery of Art

Two women, a man, and two pudgy children create a close-knit group against a dark brown background in this vertical painting. The people all have pale skin with rosy cheeks, blond or copper-colored hair, and delicate gold rings as halos. One child, Jesus, sits on a stone surface at the center of the composition. He leans onto one hip so his feet rest off to our left. His right arm reaches across his chest as he holds up the first two fingers of that hand. He turns his head back to our left to look up at Mary, who stands behind him to our left as she bends down close to the child. She tips her head to our left, and she looks down and off in that direction with brown eyes. A spring-green cloth loops around a white headdress and drapes around her neck. She wears a teal-blue robe over a cranberry-pink dress. In front of her and to our left, Saint Anne, leans toward Jesus from next to the stone. Saint Anne’s skin is notably pale, and wrinkles line her eyes and lips, which are parted. Her face tips up as she gazes heavenward with deep-set eyes. A white cloth drapes over her head and around her shoulders over a lilac-purple garment. She holds a broken staff like walking stick with the hand we see in the lower left corner of the painting. In the lower right and in front of the stone, the second child, Saint John the Baptist, looks at us with wide-set, serious eyes as he points up to Jesus. Saint John has brown curls and pudgy cheeks. A fawn-brown cloth drapes over his far shoulder. Finally, a young man with a wispy beard stands back-to-back with Mary so he fills the upper right corner of the composition. He turns his head to look down over his right shoulder. A gray-blue cloth wraps around his head, and he also holds a broken staff.