An Architectural Fantasy

Jan van der Heyden

National Gallery of Art

We look across a dirt road or path at a tall, brick wall flanking an ornamented, stone gateway with a white, marble manor house in the distance in this horizontal landscape painting. Atop a low hill, the sunlit manor is outlined against a vivid, light blue sky with silvery-gray, fluffy clouds, which fills the top two-thirds of the composition. Statues line the gray, tiled roofline along the central section of the house, and more statues stand in the grassy lawn to either side. Closer to us, the gateway and people around it are cast into shadow. The arched gate is flanked by flat columns and is topped with a triangular pediment filled with relief sculpture of people and ornamental scrolls. A ramp leads up to the opening of the gate. Two men passing under the arch have long, brown hair and wear brimmed hats, long coats, breeches tied at the knee, and stockings. The man in front carries a walking stick. A woman wearing a white head covering and long, dark dress, carries a baby tied to her back and holds her hand out toward the men. Near the men, three brown dogs walk as one raises a leg against the gate, and a fourth sniffs at the side of the ramp where it meets the ground. The red brick wall is topped with a balustrade. To our left of the gate and on the far side of the wall, two men lean on the balustrade, angled in toward each other as if in conversation, near a fountain with a sculpted woman on an ornamental urn. Below them, at the foot of the brick wall, a man sits on a cracked piece of marble sculpted with ornamental designs in low relief. The man wears a royal-blue suit with golden yellow stockings and a tan, brimmed hat. He leans forward to touch the collar of a long-legged, slender dog while four other dogs stand, sit, and lie down nearby. To our right, the roofline of a large, red brick building is seen over the tops of a grove of trees on the far side of the wall. The painting style throughout is detailed and precise, so one could conceivably count the individual bricks in the wall, for instance.