The bird of seven colors brings a sable to the pious man, from a Tuti-nama (Tales of a Parrot): Fifty-second Night
A man and woman are in an interior scene. The woman wears a blue and gold top and a red skirt. She holds the leg of a multi-colored bird. The man wears a green robe and white head covering. He holds a cloth to his face. The background is a patterned orange rug. The image is framed with a gold border. A block of text in a foreign language is above the image. The paper is aged and brown.
Artwork Details
- Dimensions
- 559 × 900 px
- Museum Record
- View original
You May Also Like
Khalis repays the prince for his kindness by changing into a snake and sucking the poison from the king’s daughter, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
King Bahram, who has married Khassa’s daughter, has her tied to a camel to be abandoned in the desert as a result of false accusations made by Khulasa, from a Tuti-nama (Tales of a Parrot): Fifty-first Night
The monk returns the magic parrot to its rightful owner, the merchant, from a Tuti-nama (Tales of a Parrot): Tenth Night
The Parrot Addresses Khujasta at the Beginning of the Twenty-fifth Night, from a Tuti-nama (Tales of a Parrot)
The Parrot Addresses Khujasta at the Beginning of the Fifteenth Night, from a Tuti-nama (Tales of a Parrot)
The prince, with the help of Mukhlis who changes into a frog, recovers the ring lost in the sea, and returns it to the king, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
The Parrot Addresses Khujasta at the Beginning of the Thirteenth Night, from a Tuti-nama (Tales of a Parrot)
The king of Zabul sees Mahrusa from his palace balcony, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
In order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night
The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night
The parrot brings a fruit from the Tree of Life to the king of Syria, from a Tuti-nama (Tales of a Parrot): Ninth Night
Shahr-Arai and her husband adopt her lover as a brother in the family, from a Tuti-nama (Tales of a Parrot): Fortieth Night
The parrot addresses Khujasta at the beginning of the forty-first night, from a Tuti-nama (Tales of a Parrot): Forty-first Night
The king of the Ocean, having assumed human form, arrives at the court of the Raja, from a Tuti-nama (Tales of a Parrot): Eleventh Night
The eldest brother explains the reason for his youthful appearance, from a Tuti-nama (Tales of a Parrot): Forty-ninth Night
The Parrot Addresses Khujasta at the Beginning of the Eighteenth Night, from a Tuti-nama (Tales of a Parrot)
Three suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night
The king plucks fruit from the Tree of Life with his own hands and feeds it to a lady, from a Tuti-nama (Tales of a Parrot): Ninth Night
The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night
The parrot addresses Khujasta at the beginning of the thirty-seventh night, from a Tuti-nama (Tales of a Parrot)
Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night
The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night
The daughter-in-law returns from her misadventure, feigning insanity, from a Tuti-nama (Tales of a Parrot): Sixteenth Night
The young man changes himself to look like Mansur, and thus inveigles himself into the bed of Mansur’s wife, but is put off by her, from a Tuti-nama (Tales of a Parrot): Seventeenth Night