

Artwork details
- Date:
- 1770 - 1790
- Medium:
- paper, brush
- Dimensions:
- 843 × 1289 px
- Museum record:
- View original



Smartelijke prinses

Scene met astroloog

Vorstelijk paar in paleis

The rejuvenated old man and the daughter of the king of the jinns take leave of the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night

Radha and Krishna Seated on a Balcony

Kedara raga, man en vrouw zittend voor een gebouwtje

Malkos-ragini
![Bahram Gur Visits the Princess of India in the Black Pavilion (recto): Illustration and Text, Persian Verses, from a manuscript of the Khamsa of Nizami, Haft Paykar [Seven Portraits]](/api/image?url=https%3A%2F%2Fopenaccess-cdn.clevelandart.org%2F1944.486.a%2F1944.486.a_web.jpg&w=1536&q=75)
Bahram Gur Visits the Princess of India in the Black Pavilion (recto): Illustration and Text, Persian Verses, from a manuscript of the Khamsa of Nizami, Haft Paykar [Seven Portraits]

Royal Couple Distributing Meals

Pancham Raga

Ramkali Ragini: Folio from a ragamala series (Garland of Musical Modes)

Gunakari Ragini, vrouw zittend in een hof van een paleis

Bairadi Ragini: Folio from a ragamala series (Garland of Musical Modes)

Augury of the Crow (Vasakasajja Nayika)

Vrouwen voor een linga-altaar (Bhairavi ragini)

Danseressen in een paleisruimte

Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

Kamakandala dies on hearing the news of Madhava’s death, from a Madhavanala Kamakandala

Shispul Arguing with Rukmini's Father, Bhishmaka, page from a Rukmini Mangal series

Akbar zittend op zijn troon

The Parrot Addresses Khujasta at the Beginning of the Twenty-Fourth Night, from a Tuti-nama (Tales of a Parrot)

The Heroine Who is Faithfully Loved: Madhya Svadhinapatika Nayika, from a Rasamanjari of Bhanudatta

The Timid Bride

De koninginne chandohaan