Artwork preview

Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

Cleveland Museum of Art

The image depicts a colorful illustration of a scene with people in traditional clothing. The scene is set indoors with a large archway in the background and a balcony above. The balcony features a blue railing with a floral pattern and two white domed structures on either side, with a tree and umbrella-like object in between. Inside, there is a large red curtain draped over the archway behind a group of seated people, who wear traditional Indian attire. The floor is decorated with blue tiles in a geometric pattern. In the foreground, several people are gathered around a musician playing a stringed instrument. A man in orange clothing kneels near a large basket. The overall scene appears to show a celebration or ceremony. The illustration style and clothing suggest it may be from the Mughal Empire period. The scene shows a man and a woman sitting close together on a platform; the man wears a blue robe and a crown-like object on his head. The woman, wearing a pink robe, appears to be touching his face, and a woman wearing an orange robe sits beside them. The group sitting on the platform includes a man in a red robe and a white beard. The setting includes a white and red structure.

Artwork Details

Dimensions
570 × 893 px
Museum Record
View original
Palette

You May Also Like

The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
The rejuvenated old man and the daughter of the king of the jinns take leave of the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night
The deceitful wife assaults her erring husband, from a Tuti-nama (Tales of a Parrot): Eighth Night
Folios A and B from the "Five Treasures" (Panj Ganj) of Jami
Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)
Babur receives booty and Humayun’s salute after the victory over Sultan Ibrahim in 1526, from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602)
The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night
Timur distributes gifts from his grandson, the Prince of Multan, from a Zafar-nama (Book of Victories)
Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Zulaykha in her palace and as an elderly woman with Joseph (recto), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492)
The old procuress conveys the young man’s message of love to Mansur’s wife, from a Tuti-nama (Tales of a Parrot: Seventeenth Night
The young prince recounts his experiences to his father, the king, from a Tuti-nama (Tales of a Parrot): Eighth Night
The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
Yusuf and Zulaykha (recto); Illustration and Text (Persian Verses) in an Anthology with some verses from Haft Awrang (Seven Thrones) of Jami; The Fifth Throne
The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night
The prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Night
The merchant returns bringing a young slave who is really the son of the princess of Rum, now married to the king, from a Tuti-nama (Tales of a Parrot): Fiftieth Night
Bahram Visits the White Domed Pavilion on Friday (recto)
The vizier dissuades the king of Bahilistan from executing the dervish who asks for his daughter’s hand in marriage, from a Tuti-nama (Tales of a Parrot): Seventh Night
Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night
The court of the Raja of Ujjain, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night
Bahram Visits the White Domed Pavilion on Friday, illustrated with text in Khamsa of Nizami (verso), from a Haft Paykar (Seven Portraits) of Nizami
A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur)
The parrot laughs on hearing the Raja of Ujjain’s wife admire her beauty in a mirror, from a Tuti-nama (Tales of a Parrot: Forty-sixth Night