

Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)
The image depicts a colorful, ornate illustration within a gold frame, featuring multiple scenes. The central scene shows a woman in a palace with a man. In the bottom section, an old woman and a younger woman stand on green ground. The old woman wears a red dress and blue shawl. The younger woman is dressed in pink. A gold vase with white flowers sits beside them. Above, in a large archway, a shirtless man sits cross-legged on a rug, wearing a gold headdress and blue pants. A woman in an orange dress stands before him. Two men stand behind her; one wears orange and white, the other blue. In the top section, within the archway, two pairs of people appear in separate scenes. On the left, a man and woman sit by a tree. On the right, a man and woman sit at a table. The background of the illustration features intricate designs and writing in a foreign script, possibly Arabic or Persian. The overall style suggests a historical or cultural significance, likely originating from the Middle East or South Asia. The image is bordered by a leaf-patterned brown frame.
Artwork Details
- Dimensions
- 503 × 900 px
- Museum Record
- View original
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Folios A and B from the "Five Treasures" (Panj Ganj) of Jami

Zulaykha in her palace and as an elderly woman with Joseph (recto), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492)

The rejuvenated old man and the daughter of the king of the jinns take leave of the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night

Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

Bahram Visits the White Domed Pavilion on Friday (recto)

The young prince recounts his experiences to his father, the king, from a Tuti-nama (Tales of a Parrot): Eighth Night

Yusuf and Zulaykha (recto); Illustration and Text (Persian Verses) in an Anthology with some verses from Haft Awrang (Seven Thrones) of Jami; The Fifth Throne

The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

The merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night

The vizier dissuades the king of Bahilistan from executing the dervish who asks for his daughter’s hand in marriage, from a Tuti-nama (Tales of a Parrot): Seventh Night

Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night

Grotesque Dancers Performing

The merchant returns bringing a young slave who is really the son of the princess of Rum, now married to the king, from a Tuti-nama (Tales of a Parrot): Fiftieth Night

Bahram Visits the White Domed Pavilion on Friday, illustrated with text in Khamsa of Nizami (verso), from a Haft Paykar (Seven Portraits) of Nizami

The young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night

The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

A Royal Picnic on a Terrace

The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Night

Mahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night

Royal Reception in a Landscape, right folio from a double-page frontispiece of a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025)

The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night

King Bhojaraja tries in vain to ascertain the whereabouts of the pearl from the four travelling companions, from a Tuti-nama (Tales of a Parrot): Twelfth Night

The king of the Ocean, having assumed human form, arrives at the court of the Raja, from a Tuti-nama (Tales of a Parrot): Eleventh Night

Babur receives booty and Humayun’s salute after the victory over Sultan Ibrahim in 1526, from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602)