

Worship of Stone Image of Shiva and Parvati within a Shrine
A weathered painting depicts a shrine scene. The shrine features an arched niche in a brick wall, containing a stone carving of two figures. The figure on the left is male with four arms, seated with legs crossed. He wears a crown and a necklace. The female figure on the right has long hair and is adorned with a necklace. She sits close to the male figure. The stone carving sits on a decorative platform within the niche. A row of white flowers lines the front of the platform. The platform outside the niche features three steps leading up to it. A section of brick wall is visible on the left of the niche and a short wall with a torch is on the right. The painting's background resembles aged paper with darker and lighter brown patches.
Artwork Details
- Dimensions
- 576 × 900 px
- Museum Record
- View original
You May Also Like

The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night

Ascetic Princess with Snakes in a Wilderness: Asavari Ragini, from a Ragamala

The Marital Bliss of Nala and Damayanti: Folio from a Nala-Damayanti Series

Bhima's Consultation with the Astrologer: Scene from the Nala-Damayanti Drawings

Portrait of Emperor Jahangir Riding an Elephant

Desvarari Ragini: Folio from a ragamala series (Garland of Musical Modes)
![Nushirwan Listens to the Owls (recto): Illustration and Text, Persian Verses, from a Manuscript of the Khamsa of Nizami, Makhzan al-Asrar [Treasure of Secrets]](/api/image?url=https%3A%2F%2Fopenaccess-cdn.clevelandart.org%2F1944.487.a%2F1944.487.a_web.jpg&w=1536&q=75)
Nushirwan Listens to the Owls (recto): Illustration and Text, Persian Verses, from a Manuscript of the Khamsa of Nizami, Makhzan al-Asrar [Treasure of Secrets]

A Heroine and Her Paramour: Malavi Ragini, from a Ragamala

Radha's Hair Being Dressed

The princess discovers the dead bodies, with heads severed, of her husband and his Brahman friend, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

A prince riding a composite elephant

Painting from a Kalpa-sutra: Indra Praises the Embryo of Mahavira in the Womb of the Brahman Woman Devananda
![Bahram Gur Visits the Princess of India in the Black Pavilion (recto): Illustration and Text, Persian Verses, from a manuscript of the Khamsa of Nizami, Haft Paykar [Seven Portraits]](/api/image?url=https%3A%2F%2Fopenaccess-cdn.clevelandart.org%2F1944.486.a%2F1944.486.a_web.jpg&w=1536&q=75)
Bahram Gur Visits the Princess of India in the Black Pavilion (recto): Illustration and Text, Persian Verses, from a manuscript of the Khamsa of Nizami, Haft Paykar [Seven Portraits]

Bairadi Ragini: Folio from a ragamala series (Garland of Musical Modes)

Radha and Krishna's Reconciliation

The Parrot Addresses Khujasta at the Beginning of the Seventeenth Night, from a Tuti-nama (Tales of a Parrot)

Vairari Ragini, Wife of Bhairav Raga: Page from a Dispersed Ragamala Series (Garland of Musical Modes)

Krishna's Insomnia, Page from a Rasikapriya

Lover's Tryst

Mars (from the Tarocchi, series A: Firmaments of the Universe, #45)

The two cooks, who attempt to seduce the warrior’s loyal wife, are trapped by her in a cellar, from a Tuti-nama (Tales of a Parrot): Fourth Night

Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

Maharana Bhim Singh of Mewar (r. 1778–1828) with a Consort

Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier