Artwork preview

Radha and Her Confidant Sit in an Open Room: Page from a Dispersed Rasikapriya

The Metropolitan Museum of Art

The image depicts a colorful illustration of two women in a room. The room has a red wall with a gold-framed picture on it and a blue and white striped awning. A woman sits on the right side of the room wearing a yellow and green sari with a green headpiece. She holds a stringed instrument. Another woman sits on the left side of the room wearing a multi-colored sari. Her dark hair is pulled back into a bun. She gestures with her right hand. The room has an ornate roof with a green and white canopy. There are archways and a staircase on the left side of the room. There are flowers and foliage on the roof and in the background. The image has a worn, aged appearance.

Artwork Details

Date
ca. 1680–90
Medium
Ink and opaque watercolor on paper
Culture
India (Madhya Pradesh, Malwa)
Dimensions
439 × 624 px
Public Domain
Yes
Museum Record
View original
Palette

You May Also Like

A Heroine and Her Paramour: Malavi Ragini, from a Ragamala
A Heroine Plucking a Flower:  Page from a Dispersed Nayikabheda
Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
The rejuvenated old man and the daughter of the king of the jinns take leave of the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night
The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night
The Parrot Addresses Khujasta at the Beginning of the Thirtieth Night, from a Tuti-nama (Tales of a Parrot)
The merchant returns bringing a young slave who is really the son of the princess of Rum, now married to the king, from a Tuti-nama (Tales of a Parrot): Fiftieth Night
A Heroine and Her Lover in a Pavilion: Page from a Dispersed Nayikabheda
The son of the king of Babylon sees the Brahman transformed into a woman bathing and falls in love with her, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
Mandala of the Four Deities of Mt. Kōya
The deceitful wife assaults her erring husband, from a Tuti-nama (Tales of a Parrot): Eighth Night
The Parrot Addresses Khujasta at the Beginning of the Seventeenth Night, from a Tuti-nama (Tales of a Parrot)
Lovers on a Terrace: Ramakali Ragini of Hindol, from a Bundi Ragamala
Bahram Visits the White Domed Pavilion on Friday, illustrated with text in Khamsa of Nizami (verso), from a Haft Paykar (Seven Portraits) of Nizami
The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
Lalit Ragini: Folio from a ragamala series (Garland of Musical Modes)
A Raja Receives Homage Outside the City:   Page from a Dispersed Manuscript
Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar
Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night
A woman asks her lover to leave her house, brandishing his sword and feigning rage in order to deceive her husband who has just arrived, from a Tuti-nama (Tales of a Parrot): Eighth Night
The Parrot Addresses Khujasta at the Beginning of the Twenty-seventh Night, form a Tuti-nama (Tales of a Parrot)
Bahram Visits the White Domed Pavilion on Friday (recto)
The old procuress conveys the young man’s message of love to Mansur’s wife, from a Tuti-nama (Tales of a Parrot: Seventeenth Night
Vairari Ragini, Wife of Bhairav Raga: Page from a Dispersed Ragamala Series (Garland of Musical Modes)