

A woman asks her lover to leave her house, brandishing his sword and feigning rage in order to deceive her husband who has just arrived, from a Tuti-nama (Tales of a Parrot): Eighth Night
The image depicts a scene with four people and two buildings. The scene is set against a white background with a gold arch at the top. The arch features blue lines and various shapes. The left building has a black and white striped dome, yellow roof with blue designs, and orange base with blue and yellow designs. The right building has a red and yellow striped dome, blue windows with yellow designs, and an orange base. The people are dressed in traditional clothing. The person on the left wears orange and holds a long object. The person in the middle wears blue and holds a sword. The person on the right sits on a green and red patterned bench and wears orange. The person on the far left wears orange and faces the person in blue. The scene is framed by a gold border with red and blue lines.
Artwork Details
- Dimensions
- 548 × 893 px
- Museum Record
- View original
You May Also Like

The rejuvenated old man and the daughter of the king of the jinns take leave of the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night

The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Night

Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night

The Parrot Addresses Khujasta at the Beginning of the Twenty-second Night, from a Tuti-nama (Tales of a Parrot)

Shispul Arguing with Rukmini's Father, Bhishmaka, page from a Rukmini Mangal series

The merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night

Lalit Ragini: Folio from a ragamala series (Garland of Musical Modes)

The goldsmith and the carpenter inform the king of a dream in which the golden images plan to desert the city for lack of worshippers, from a Tuti-nama (Tales of a Parrot): Third Night

Kamsa deploys Akrura and Keshi to Braj, from a Bhagavata Purana

The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night

A Heroine and Her Paramour: Malavi Ragini, from a Ragamala

Folios A and B from the "Five Treasures" (Panj Ganj) of Jami

Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)

Pancham Raga

The merchant returns bringing a young slave who is really the son of the princess of Rum, now married to the king, from a Tuti-nama (Tales of a Parrot): Fiftieth Night

Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

The handmaiden appeals for justice and the prince is taken to the execution site for the fourth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

Lovers Embracing (Raga Malkaus)

A Heroine and Her Lover in a Pavilion: Page from a Dispersed Nayikabheda

King Luhrasp Ascends the Throne: a Processon Arrives at Court (recto); the Story of King Luhrasp (verso) from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025)

Zulaykha in her palace and as an elderly woman with Joseph (recto), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492)

The Parrot Addresses Khujasta at the Beginning of the Twenty-seventh Night, form a Tuti-nama (Tales of a Parrot)

The prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

The Parrot Addresses Khujasta at the Beginning of the Seventh Night, from a Tuti-nama (Tales of a Parrot)