Artwork preview

A woman asks her lover to leave her house, brandishing his sword and feigning rage in order to deceive her husband who has just arrived, from a Tuti-nama (Tales of a Parrot): Eighth Night

Gujarati

Cleveland Museum of Art

The image depicts a scene with four people and two buildings. The scene is set against a white background with a gold arch at the top. The arch features blue lines and various shapes. The left building has a black and white striped dome, yellow roof with blue designs, and orange base with blue and yellow designs. The right building has a red and yellow striped dome, blue windows with yellow designs, and an orange base. The people are dressed in traditional clothing. The person on the left wears orange and holds a long object. The person in the middle wears blue and holds a sword. The person on the right sits on a green and red patterned bench and wears orange. The person on the far left wears orange and faces the person in blue. The scene is framed by a gold border with red and blue lines.

Artwork Details

Dimensions
548 × 893 px
Museum Record
View original
Palette

You May Also Like

The rejuvenated old man and the daughter of the king of the jinns take leave of the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night
The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Night
Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night
The Parrot Addresses Khujasta at the Beginning of the Twenty-second Night, from a Tuti-nama (Tales of a Parrot)
Shispul Arguing with Rukmini's Father, Bhishmaka, page from a Rukmini Mangal series
The merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night
Lalit Ragini: Folio from a ragamala series (Garland of Musical Modes)
The goldsmith and the carpenter inform the king of a dream in which the golden images plan to desert the city for lack of worshippers, from a Tuti-nama (Tales of a Parrot): Third Night
Kamsa deploys Akrura and Keshi to Braj, from a Bhagavata Purana
The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night
A Heroine and Her Paramour: Malavi Ragini, from a Ragamala
Folios A and B from the "Five Treasures" (Panj Ganj) of Jami
Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)
Pancham Raga
The merchant returns bringing a young slave who is really the son of the princess of Rum, now married to the king, from a Tuti-nama (Tales of a Parrot): Fiftieth Night
Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
The handmaiden appeals for justice and the prince is taken to the execution site for the fourth time, from a Tuti-nama (Tales of a Parrot): Eighth Night
Lovers Embracing (Raga Malkaus)
A Heroine and Her Lover in a Pavilion: Page from a Dispersed Nayikabheda
King Luhrasp Ascends the Throne: a Processon Arrives at Court (recto); the Story of King Luhrasp (verso) from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025)
Zulaykha in her palace and as an elderly woman with Joseph (recto), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492)
The Parrot Addresses Khujasta at the Beginning of the Twenty-seventh Night, form a Tuti-nama (Tales of a Parrot)
The prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Night
The Parrot Addresses Khujasta at the Beginning of the Seventh Night, from a Tuti-nama (Tales of a Parrot)