Victorious Army Entering City After Siege
The image depicts a framed painting titled "Victorious Army Entering City After Siege" by an unknown artist. The painting shows a large group of men on horseback and on foot, wearing ornate gold and white clothing and headgear, entering a city through a gate. The men on horseback wear gold crowns and ride horses with ornate gold and blue harnesses. The horses are primarily white or gray. The men on foot are dressed similarly and appear to be either fleeing or fallen. The city gate is made of stone and features gold accents. The background shows a blue sky with clouds. The painting is surrounded by a gold frame with intricate designs. The dominant colors are gold, white, blue, and gray. The scene is crowded and dynamic, with many figures and horses in motion.
Artwork Details
- Dimensions
- 602 × 893 px
- Museum Record
- View original
You May Also Like
Encampment in the Mountains
Man and Woman on Horseback
Illustration of the Mahabharata
Bahram Gur and Azada, from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025)
Searching the Mountains for Demons
“America,” from the series Five Nations
A prince riding a composite elephant
King Luhrasp Ascends the Throne: a Processon Arrives at Court (recto); the Story of King Luhrasp (verso) from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025)
A charioteer riding through a rocky landscape with an entourage of footmen and musicians, page from a Razm-nama (Book of Wars) adapted from the Sanskrit Mahabharata and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian, d. 1614)
Panel from a Cassone: The Race of the Palio in the Streets of Florence
King Luhrasp Ascends the Throne: a Processon Arrives at Court, recto of the left folio of a double-page composition from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025)
Bijan killing the wild boars of Irman, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)
Album of Tournaments and Parades in Nuremberg
Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025), known as the Great Mongol Shahnama
![Nushirwan Listens to the Owls (recto): Illustration and Text, Persian Verses, from a Manuscript of the Khamsa of Nizami, Makhzan al-Asrar [Treasure of Secrets]](/api/image?url=https%3A%2F%2Fopenaccess-cdn.clevelandart.org%2F1944.487.a%2F1944.487.a_web.jpg&w=1536&q=75)
Nushirwan Listens to the Owls (recto): Illustration and Text, Persian Verses, from a Manuscript of the Khamsa of Nizami, Makhzan al-Asrar [Treasure of Secrets]
Initial A with the Battle of the Maccabees
Crossing at Sano
Babur meeting with Sultan Ali Mirza at the Kohik River, from a Babur-nama (Memoirs of Babur)
“Royal Hunt,” folio from a Mahabharata
Story of Perseus and Andromeda
Hunting with falcons in a landscape (recto)
Wall hanging with scene from an opera
Akbar supervising the capture of wild elephants at Malwa in 1564, painting 90 from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian 1551–1602)
Akbar supervising the capture of wild elephants at Malwa in 1564, painting 90 from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian 1551–1602)