

King Luhrasp Ascends the Throne: a Processon Arrives at Court, recto of the left folio of a double-page composition from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025)
The image depicts a vibrant and intricately designed illustration. The illustration is divided into sections. The top section shows a balcony scene with a black railing and two large, light-colored statues on either side of an open red door. The sky above has blue clouds and white flowers on trees. The bottom section depicts a procession of people on foot and on horseback. The people wear robes in shades of orange, blue, and green. The background of the illustration is gold with blue and red accents. The illustration is surrounded by a gold border with a green outline and a pattern of small blue and gold shapes. The border around the gold section is green with gold accents. The entire image is on a white background. There are four sections of black text in a foreign script. The illustration and border are on aged paper. The overall design and color scheme suggest the artwork originates from the Middle East or South Asia.
Artwork Details
- Dimensions
- 572 × 893 px
- Museum Record
- View original
You May Also Like

King Luhrasp Ascends the Throne: a Processon Arrives at Court (recto); the Story of King Luhrasp (verso) from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025)

Babur meeting with Sultan Ali Mirza at the Kohik River, from a Babur-nama (Memoirs of Babur)

Babur receives booty and Humayun’s salute after the victory over Sultan Ibrahim in 1526, from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602)

Grotesque Dancers Performing

Circumcision ceremony for Akbar’s sons, painting 126 from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602)

Zulaykha in her palace and as an elderly woman with Joseph (recto), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492)

Left side of a double-page album folio: Outside a Royal Encampment (recto)

A charioteer riding through a rocky landscape with an entourage of footmen and musicians, page from a Razm-nama (Book of Wars) adapted from the Sanskrit Mahabharata and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian, d. 1614)

The vizier dissuades the king of Bahilistan from executing the dervish who asks for his daughter’s hand in marriage, from a Tuti-nama (Tales of a Parrot): Seventh Night

Folios A and B from the "Five Treasures" (Panj Ganj) of Jami

Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)

A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur)

Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

Yusuf and Zulaykha (recto); Illustration and Text (Persian Verses) in an Anthology with some verses from Haft Awrang (Seven Thrones) of Jami; The Fifth Throne

Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night

The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night

The rejuvenated old man and the daughter of the king of the jinns take leave of the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night

Yusuf and Zulaykha (recto); Text Page, Persian Verses (verso)

Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025)

Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025)

The Birth of Krishna, from a Sursagar of Surdas (Indian, c. 1480–1580)

A woman asks her lover to leave her house, brandishing his sword and feigning rage in order to deceive her husband who has just arrived, from a Tuti-nama (Tales of a Parrot): Eighth Night

The deceitful wife ejects the procuress after blackening her face, from a Tuti-nama (Tales of a Parrot): Eighth Night

Royal Reception in a Landscape, right folio from a double-page frontispiece of a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025)