Artwork preview

Vasant Ragini: Folio from a ragamala series (Garland of Musical Modes)

The Metropolitan Museum of Art

The image depicts a painting of a scene with a peacock on a pedestal and two people on either side. The top section shows a black background with a repeating pattern of green and red peacock feathers. The bottom section has a blue background and features a woman on the left wearing a red top and green pants, playing a musical instrument. A peacock is on a white pedestal in the center, wearing a red cloth and a decorative headpiece. The woman on the right wears a brown dress and holds a white object. The bottom of the image has a white border with a floral pattern. The entire image is surrounded by a gold and red border.

Artwork details

Date:
ca. 1630–40
Medium:
Ink and opaque watercolor on paper
Culture:
India (Madhya Pradesh, Malwa)
Dimensions:
492 × 624 px
Museum record:
View original
Palette

You May Also Like

The rejuvenated old man and the daughter of the king of the jinns take leave of the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night
The handmaiden appeals for justice and the prince is taken to the execution site for the fourth time, from a Tuti-nama (Tales of a Parrot): Eighth Night
Vivaca Ragaputra, a Leaf from Ragamala Series
The prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Night
Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
Ramkali Ragini:  Page from a Dispersed Ragamala Series (Garland of Musical Modes)
Folios A and B from the "Five Treasures" (Panj Ganj) of Jami
Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)
The vizier dissuades the king of Bahilistan from executing the dervish who asks for his daughter’s hand in marriage, from a Tuti-nama (Tales of a Parrot): Seventh Night
A Messenger is Dispatched:  Page from a Dispersed Manuscript
King Bhojaraja tries in vain to ascertain the whereabouts of the pearl from the four travelling companions, from a Tuti-nama (Tales of a Parrot): Twelfth Night
Illustration from a Ragamala Series (Garland of Musical Modes)
Ramkali Ragini: Folio from a ragamala series (Garland of Musical Modes)
The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night
Pancham Raga
The old procuress conveys the young man’s message of love to Mansur’s wife, from a Tuti-nama (Tales of a Parrot: Seventeenth Night
The deceitful wife assaults her erring husband, from a Tuti-nama (Tales of a Parrot): Eighth Night
A Woman Plucks Leaves While Awaiting Her Lover: Gunakali Ragini of Malkos, from the “Chawand Ragamala”
Grotesque Dancers Performing
Dipak Raga, One of the Thirty-Six Melodies (Ragamala): Personifying Love
Shispul Arguing with Rukmini's Father, Bhishmaka, page from a Rukmini Mangal series
The Heroine Who is Faithfully Loved: Madhya Svadhinapatika Nayika, from a Rasamanjari of Bhanudatta
Setmalar Ragini:  Folio from a ragamala series (Garland of Musical Modes)
Women Play Music for Radha and Krishna: Chitrini Nayika, from a Rasikapriya