Artwork preview

Description of Egypt: Thebes Byban el Molouk, Vol. II, Pl. 91

Antoine Maxime Monsaldy

Cleveland Museum of Art

The image depicts an ancient Egyptian scene divided into two stacked panels on a beige background. The top panel shows a standing figure with a dark robe and light-colored head covering and another figure seated on a throne-like chair with dark blue and gold clothing and head covering. The standing figure appears to dance with their arms raised above their head. The seated figure holds a staff in their left hand. The bottom panel depicts another seated figure with dark hair and red and white clothing, and a head covering, and another standing figure with white clothing playing a harp. The standing figure faces the seated figure from an angle. The seated figure holds a staff in their right hand. Both panels are surrounded by Egyptian hieroglyphics and various objects, including musical instruments and vases. The overall design and color scheme of the image suggest a traditional ancient Egyptian art style. The image showcases two distinct scenes from ancient Egyptian life.

Artwork Details

Dimensions
660 × 900 px
Museum Record
View original
Palette

You May Also Like

Mandala of the Four Deities of Mt. Kōya
Krishna weighed against precious objects(?) (verso), from a Kalighat album
Illustration of the Commanders who Pacified Western Japan, Receiving the Emperor's Gift Cups (Saigoku chinsei shoshō tenpai o tamawaru no zu)
Shvetambara Jain Teacher Giving Instruction
A Heroine and Her Paramour: Malavi Ragini, from a Ragamala
Bahram Visits the White Domed Pavilion on Friday (recto)
Chushingura: Act IX of The Storehouse of Loyalty
Krishna Awaiting Radha
Bahram Visits the White Domed Pavilion on Friday, illustrated with text in Khamsa of Nizami (verso), from a Haft Paykar (Seven Portraits) of Nizami
The merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night
The Flowering of Joseph’s Rod (folio 11 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Zulaykha in her palace and as an elderly woman with Joseph (recto), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492)
Shiva Intercedes for Vanasura: Scene from the Aniruddha Usha Section of Krishna Lila
Leaf from a Kalighat album: Krishna Steals the Clothes of the Cowgirls (Gopis) (recto); Das Avataras, Ten Incarnations of Vishnu (verso)
The court of the Raja of Ujjain, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night
Folios A and B from the "Five Treasures" (Panj Ganj) of Jami
Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)
Radha and Her Confidant Sit in an Open Room: Page from a Dispersed Rasikapriya
Rama, Sita, and Lakshmana visit the hermitage of the sage Bharadvaja at Prayaga, from Chapter 48 of the Ayodhya Kanda (Book of Ayodhya) of a Ramayana (Rama’s Journey)
Nushirwan Sends Mihran Sitad to Fetch the Daughter of the King of China (recto) from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025)
A Votive Picture to Be Donated to the Kannon of Asakusa (Asakusa Kannon hō kakegaku no zu), by Takigawa of the Ōgiya, Kamuro Menami and Onami, with Tomikawa, Kumegawa, Tamagawa, Tsugawa, Utagawa, and Kiyokawa
A Game of Hand Sumo in the New Yoshiwara
Chuban of the Chushingura Drama
Habbaza’s sister, who is sent to console her, discovers the disguised Arab in her place, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night