

A princess on a terrace with attendants at night (recto); Calligraphy (verso)
The image shows two artworks side by side. On the left is a painting of a princess on a terrace with attendants at night. The princess sits on a low couch under a red and green awning. She wears a white dress and has her right arm raised. Three attendants are around her, two on the left and one on the right. The attendant on the far left wears green, the one in the middle wears white, and the one on the right wears orange. On the right is a piece of calligraphy on a beige background with a brown border. The calligraphy is written in black ink and has gold accents. The border is ornate, with a blue and gold design in the top right corner.
Artwork Details
- Dimensions
- 900 × 751 px
- Museum Record
- View original
You May Also Like

A prince conversing with a woman while taking refreshments on a terrace (recto); Calligraphy (verso)

The rejuvenated old man and the daughter of the king of the jinns take leave of the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night

Kabir and Two Followers on a Terrace (recto); Calligraphy (verso)

An Episode from the Story of the Sasanian King Khusrau and His Beloved Shirin, from a Khamsa (Quintet) of Nizami (1141–1209) (verso); Persian verses from a Haft Awrang (Seven Thrones) of Jami (d. 1492) (recto)

Bahram Gur Visits the Princess of India in the Black Pavilion, Illustration and Text, Persian Verses (recto); Bahram Gur Visits the Princess of India, Text Page, Persian Verses (verso)

Yusuf and Zulaykha (recto); Text Page, Persian Verses (verso)

Nobleman Visiting Saint at his Shrine

The eldest brother explains the reason for his youthful appearance, from a Tuti-nama (Tales of a Parrot): Forty-ninth Night

Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night

Kamjuy, the wife of the Raja, averts her face from the fishes, from a Tuti-nama (Tales of a Parrot): Twenty-third Night

The young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night

The daughter-in-law returns from her misadventure, feigning insanity, from a Tuti-nama (Tales of a Parrot): Sixteenth Night

Left side of a double-page album folio: Outside a Royal Encampment (recto) and Calligraphy, Persian Verses (verso)

The Parrot Addresses Khujasta at the Beginning of the Twenty-second Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Eighteenth Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Seventh Night, from a Tuti-nama (Tales of a Parrot)

Bangali Ragini: Folio from a ragamala series (Garland of Musical Modes)

The young man of Baghdad solicits advice from a friend as his slave girl, who is adept at music, awaits, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night

An African Lyre Player (recto); Calligraphy (verso)

The king’s emissary being provided with gifts for his mission to Rum in order to seek the hand of the emperor’s daughter in marriage, from a Tuti-nama (Tales of a Parrot): Fiftieth Night

Folios A and B from the "Five Treasures" (Panj Ganj) of Jami

Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)

The merchant has the hateful skull ground and put into a box, from a Tuti-nama (Tales of a Parrot): Twenty-third Night

The young prince recounts his experiences to his father, the king, from a Tuti-nama (Tales of a Parrot): Eighth Night